Wednesday 11 November 2020

A New Look for Alvar the Kingmaker

Alvar the Kingmaker has had a makeover. When my novel To Be A Queen underwent a similar 'face lift' it was to coincide with the 1100th anniversary of her death and there were lots of events to commemorate that date, including the Tamworth Literary Festival, where I was a guest speaker.

There isn't a 'special' anniversary for Alvar, other than that on November 23 955 Edwy - the 'Fairchild' - became king, and that's really the start of Alvar's story. 

So, what's 'Alvar' all about? Well, it's based on real events and almost all the characters are real historical figures.

10th-Century England is rocked by scandal when the young king is caught in bed with his wife - and her mother.

Nobleman Alvar knows that securing the throne for the young and worthy prince Edgar will brand him an oath-breaker. As a fighting man, he is indispensable to the new sovereign, but his success and power gain him deadly, murderous enemies: Abbot Dunstan, banished, recalled, and in no mood to forgive; Bishop Oswald, the ambitious foreigner who will let nothing stand in his way. They must not discover Alvar’s secret love for the wife of his deputy, whilst Alvar must keep her safe, and serve and protect the queen, who is in love with him and who harbours a dark secret of her own…

Civil war erupts, and Alvar once again finds himself the only man capable of setting a new king upon the throne of England, an act which comes at great personal cost. His career began with a dishonourable deed to help a good king; now he must be loyal to a new king, Æthelred, whom he knows will be weak, and whose supporters have been accused of regicide. Can he bring about peace, reconcile with his enemies, and find personal happiness, whilst all the time doing his duty to his loved ones? 

The queen in question is Ælfthryth, who was given a bad press by the chroniclers as having been involved in the murder of her first husband, and of her stepson. She was the mother of Æthelred the Unready, incidentally. So, do I believe the stories about her? Well, maybe some of them. But she had her reasons, as you'll discover.

Alvar, or to give him his real name, Ælfhere, was also a real person, an ealdorman of Mercia and related to royalty. He had a long political career and he really did butt heads with the Churchmen but again, he had reasons for so doing.

I didn't have to invent the murders or the convenient 'premature' deaths, nor the reports of that scandal. Add in a couple of tangled love stories and voila! we have Alvar's story.

But there is also a backstory. And in a new anthology which is out on November 17, I have contributed a short story which tells of the events immediately leading up to the beginning of Edwy's reign.

"Betrayal, treachery, treason, deceit, perfidy—all names for the calculated violation of trust. And it’s been rife since humans trod the earth...Read twelve tales by twelve accomplished writers who explore these historical yet timeless challenges."

My story in Betrayal is called Love to Hatred Turn'd, and concerns Dunstan, who features heavily in Alvar the KingmakerAlyeva and Dunstan have grown up together. Dunstan’s calling to serve God and king means he must leave their childhood home, but his path is not easy and she wants to protect him. Dunstan’s ambitious brother will do whatever it takes to further his own career, something that Alyeva learns to her cost. There are powerful factions at court, and murderous plots afoot. Alyeva is entangled in them and she must try to break free and, more importantly, attempt to prevent a killing that will have far-ranging repercussions. In the court of the Anglo-Saxon kings, danger lurks around every corner and the skill is in learning whom to trust...

So, I thought it would be a good time to update the Alvar cover.

The Historical Fictioneers have a dedicated Facebook group which we'd love you to join and so this post is partly to tell you all about that.

But really, I just wanted to share the beautiful new book cover*, designed by the very talented Cathy Helms at Avalon Graphics. I hope you like it as much as I do! 


* Cathy designed the Betrayal cover too

Sunday 1 November 2020

Blōtmōnað - Blood Month

It's November, or Blōtmōnað as the Anglo-Saxons called it. 
(the Old English letters ð and þ are represented in modern English by the combination th)

So, what's Blood-Month all about? 



Unlike the days of the week, where the words are recognisable, the Anglo-Saxon calendar is not so obvious.

Days of the Week
Sunday: Sunnenday (Middle English translation of Greek Hemera heliou): the sun's day,
Monday: Monan daeg (Anglo Saxon, monan, moon; daeg, Anglo Saxon, day): the moon's day,
Tuesday: Tiwes daeg (Anglo Saxon Tiw, war god, related to Greek god Zeus): Tiw's day,
Wednesday: Woensdag (Danish, Woen, Woden, Chief Norse god, Frigga's husband; dag, day): Woden's day,
Thursday: Thursdaeg (Old English; Thorr, Icelandic, thundergod): Thor's day,
Friday: Frigedaeg (Anglo Saxon; Frige, Frigga, chief Norse goddess, Woden's wife): Frigga's day,
Saturday: Saeterdaeg (Anglo Saxon; Saeter, Saturn, Roman god of time): Saturn's day.


Looking at the original words, it is easy to see how they developed into the modern names for the days of the week.

Not so with the months, however. They weren't so much named after deities, as named for specific seasonal events
.

Months of the Year
January: Æfterra Gēola
 "After Yule", or "Second Yule"
February: Sol-mōnaþ ('mud month,' Bede: "the month of cakes, which they offered in it to their gods." Either the cakes looked like they were made of mud due to their color and texture, or literally it was the month of mud due to wet English weather)
March: Hrēþ-mōnaþ "Month of the Goddess Hrēþ" or "Month of Wildness"
April: Easter-mōnaþ "Easter Month", "Month of the Goddess Ēostre"
May: Þrimilce-mōnaþ "Month of Three Milkings"
June: Ærra Līþa "Before Midsummer", or "First Summer" Brāh-mānod

Þrilīþa "Third (Mid)summer" (leap month) I'll come back to this one!

July: Æftera Līþa "After Midsummer", "Second Summer"
August: Weod-mōnaþ "Plant month"
September: Hālig-mōnaþ "Holy Month"
October: Winterfyllēð "Winter full moon", according to Bede "because winter began on the first full moon of that month [of October]."
November: Blōt-mōnaþ "Blót Month", "Month of Sacrifice"
December: Ærra Gēola "Before Yule", or "First Yule"


What can we deduce from these month names? 

Gēola is the same word as ‘Yule’, as seen above,and may also have something to do with the ‘wheel’ of the year. The explanation for Sol-mōnaþ is not universally accepted. Perhaps just as contentiously, Easter is linked with the word ‘east’, where the sun rises on the spring equinox, or with the pagan goddess. Ðrīemilcemōnað or Þrimilce-mōnaþ (May) may suggest that cows could be milked three times a day during this month.

With the months representing distinct times of the year and activities associated with them, it's probably no surprise that they were also divided in accordance with the phases of the moon, which meant that there were always a few days left over each year. Thus there was a need for a leap-month, which is where Þrilīþa comes in (Þri - three, līþa or līða - possibly mild, summer.)



An Anglo-Saxon Calendar which shows the 7th November - the beginning of winter

It has been suggested that the blood month refers to human sacrifice. But Bede, who would have been at pains to point out any non-Christian practices, says in De Temporum Ratione (The Reckoning of Time) that
"Blod-monath is month of immolations, for it was in this month that the cattle which were to be slaughtered were dedicated to the gods."
People might have slaughtered their own animals, or received help from kinsmen, otherwise a professional butcher would come their premises. It would have made sense to pay a butcher so that the meat could be quickly salted and hung, thus avoiding deterioration. Payment for the service was perhaps in kind, so that the butchers had meat to sell on.

Man beating an oak tree to release acorns to fatten his pig - from the November page of the
Peterborough Psalter MS 53 p6

In the latter years of the tenth-century, slaughter had to be carried out in the present of two witnesses. With a biblical proscription on the strangulation of animals, the beasts would generally have had their necks cut with an axe. The assumption is that the animals were then bled.

A large animal will take longer to lose its body heat; Anglo-Saxon domestic animals were smaller than our modern breeds, so this will have helped. Meat produced in the summer months would, equally, go bad very quickly and so it makes sense that November would be the traditional month for slaughter. There would, of course, have been no waste, and there is evidence to suggest that marrow, tongue, brain, offal and fats (smeru - grease) were all used. What better to warm you on a cold winter's night than healfne cuppan clœnes gemyltes swices (half a cup of pure bacon fat melted)?

Something to consider if you haven't yet had your Bonfire Night party?


Days of the week: Source - Caltech
Months of the Year: Source - Germanic Calendar
Further Reading: Anglo-Saxon Food Ann Hagen